Written in EnglishRead online
Includes bibliographical references (p. -214) and index.
|Statement||Emily C. Bartels.|
|LC Classifications||PR2674 .B37 1993|
|The Physical Object|
|Pagination||xvii, 221 p. ;|
|Number of Pages||221|
|LC Control Number||92045865|
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North Charles Street Baltimore, Maryland, USA +1 () [email protected] © Project MUSE. Produced by Johns Hopkins University Press in collaboration with The Sheridan Libraries. Spectacles of Strangeness Imperialism, Alienation, and Marlowe Emily C.
Bartels. pages | 6 x 9 Cloth | ISBN | $s | Outside the Americas £ Ebook editions are available from selected online vendors. Winner of the. The key question underlying this book is why Christopher Marlowe, the sixteenth century’s most important playwright after Shakespeare, chose to bring “the alien” to center stage in each of his plays.
What made him turn and return exclusively to such subjects, filling the stage with Oriental. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe [Emily C. Bartels] on *FREE* shipping on qualifying offers. Winner of the Roma Gill Prize of the Marlowe Society Selected by Choice magazine as an Outstanding Academic Title Bartels focuses on Marlowe's preoccupation with strangers and strange landsCited by: In Spectacles of Strangeness, Emily C.
Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use - and subversion - of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as a vital presence on the Renaissance stage and.
Emily C. Bartels. Philadelphia: University of Pennsylvania Press, xvii + pp. $ Appearing towards the end of the playwright's quatercentenary, Spectacles of Strangeness is remote from the outcrop of fictions and reconstructions of Marlowe's life (Marlowe the spy, the scapegoat), the panegyrics on his aesthetic sensibilities (Marlowe the poet), the.
Oriental barbarians, black magicians, homosexuals, African queens and kings, Machiavellian Christians, Turks, and Jews - for an English audience of the sixteenth century, these are marginal, unorthodox, and strange figures.
They are also the central figures in the plays of Christopher Marlowe. In Spectacles of Strangeness, Emily C. Bartels focuses on Marlowe's preoccupation. Get this from a library. Spectacles of strangeness: imperialism, alienation, and Marlowe.
[Emily Carroll Bartels] -- Oriental barbarians, black magicians, homosexuals, African queens and kings, Machiavellian Christians, Turks, and Jews - for an English audience of the sixteenth century, these are marginal.
Spectacles of strangeness: imperialism, alienation, and Marlowe / Oriental barbarians, black magicians, homosexuals, African queens and kings, Machiavellian Christians, Turks, and Jews - for an English audience of the sixteenth century, these are.
The Department of English is the largest humanities department in the School of Arts and Sciences at Rutgers, The Spectacles of strangeness book University of New Jersey.
Our faculty strives to instill students with a deep and lasting understanding of literature and literary traditions. Each year, more t undergraduates receive instruction in humanistic reading and writing through our writing program.
Spectacles of Strangeness Emily C. Bartels Published by University of Pennsylvania Press Bartels, Emily C. Spectacles of Strangeness: Imperialism, Alienation, and by: In Spectacles of Strangeness, Professor Bartels focuses Spectacles of strangeness book Marlowe's preoccupation with "strangers" and "strange" lands, and his use—and subversion—of Elizabethan stereotypes.
Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as a vital presence on the Renaissance stage and.
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Everything about the play and masques was so weird and wonderful that one book was even called “Shakespeare and the Spectacles of Strangeness.” Its author, John Demaray, highlights many notable aspects of the masque as incorporated into The Tempest, especially the.
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The Strangeness of the Modern Mind. Guy Debord’s opening observation in his book, The Society of the Spectacle, has never seemed more accurate: In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles.
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Salvador Dali. Salvador Dalí was a renowned Spanish Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (), arguably his best known work, visually manifests the strangeness of time by depicting clocks melting in an idyllic landscape.
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While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the.
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